Thursday, May 8, 2025

A meizanologist's diary (104)

29 March: on a day when both the sakura zensen and a rain front have converged on Tokyo, we’re at a kondankai on the Japanese Alpine Club’s premises near Ichigaya. And since the Sensei has put me on my best behaviour, I’m doing my best not to be controversial. At this point, a lady smilingly asks me if I aim to complete the Hyakumeizan.

Mt Bandai: a mountain that watches over several home villages
(and sometimes demolishes them). 

This puts me on the spot. Having blogged for more than a decade under the masthead of One Hundred Mountains, I can’t plausibly deny an interest in them. On the other hand, the Sensei and I probably haven’t climbed more than half of the full round between us. So I smile back at my interlocutor and prevaricate: “I haven’t yet decided” I hear myself saying wishy-washily.

As further explanation seems to be required, I refer to fellow blogger David Lowe’s reflective and soundly reasoned essay about The Trouble with the Hyakumeizan–And Why I’m Not Finishing. To sum up just a few of his thoughts, too much focus on the Hyakumeizan encourages a checklist mentality, foments overcrowding, and quite possibly promotes unsafe climbing behaviour.

To which I could add, having just returned from a less than totally successful Hyakumeizan foray, that the pleasures were momentary, the positions ridiculous, and the expenses damnable… But as the Sensei is within earshot, I keep that quip to myself. After all, Lord Chesterfield wasn’t talking about mountains.

And yet … had Fukada Kyūya not written that book, I probably would never have acquainted myself with Daisen’s extraordinary character – the rambling and oligarchical ridgeline, with no peaklet topping out more than a few metres above or below another – its curious ecosystems (I mean, how many other mountains can boast a firefly colony on their summit?) – and the tenacious yet friendly villagers who live, still up to their ears in snow right now, within the shadow of its ancient crater walls.

Mmm, the villagers and their community – we may be onto something there. If the Hyakumeizan author didn’t plan on crafting a checklist – he said himself that he might change a mountain or two – then what on earth was he writing about? There is more than a hint in the first paragraph of the chapter on his own home mountain, the one that rises above his birthplace in Daishōji:

A mountain watches over the home village of most Japanese people. Tall or short, near or far, some mountain watches over our native village like a tutelary deity. We spend our childhood in the shadow of our mountain and we carry it with us in memory when we grow up and leave the village. And however much our lives may change, the mountain will always be there, just as it always has been, to welcome us back to our home village. My native mountain is Hakusan …

As it happened, though, it was a foray to a quite different volcano that first started me thinking about Fukada’s paragraph. After tagging the summit of Bandai on a grey mid-November day, I dropped into a local hut and found it crowded almost to the rafters.

Yet nobody, except possibly myself, was questing the Hyakumeizan. In fact, nobody seemed to have any interest in them at all. They were all local folk, intent on celebrating their local hut’s last weekend of the season before it closed for the winter. For Bandai was their home mountain, not some item on a distant city-dweller’s checklist.

Ed Douglas's Kinder Scout: The People's Mountain:
Meizan philosophy applied to the Peak District.

Much more recently, I was flattered to find that Ed Douglas, one of Britain’s most prolific and versatile mountain writers, had quoted the same paragraph by Fukada at the start of his luminous and delightful monograph on Derbyshire’s Kinder Scout: The People’s Mountain. For Kinder Scout is, of course, Ed’s own home mountain.

And his too is a book about the people who surround a mountain and give it meaning. Here are the people who organised the famous mass trespass of 1932 so that everybody would be free to roam their local hills.

And then there is George King (b. 1919), no less public spirited but in a different way, who was tasked by an alien intelligence (see pages 160–61) to charge the mountain’s rocks “with a kind of cosmic energy”. Indeed, the very spot where he did so is illustrated in the book by one of John Beatty’s excellent photos. With stories like these, I think that Ed gets very close to the Hyakumeizan way of thinking, even if he hasn’t yet applied his widely roving pen to the Japanese mountains. 

One who has written about Japanese mountains – quite a lot of them – is William Banff, aka Willie Walks. His Tozan: A Japanese Mountain Odyssey is a lively peak-by-peak account of climbing each of the Hyakumeizan. But, as noted in our review, there’s more going on in this book than wading through a checklist.

In his Hakusan chapter, Willie circles back to Fukada’s famous paragraph, as quoted above, and then segues into a meditation on his own home mountain back in Australia. You’ll have to read this passage for yourself – it deserves not to be paraphrased in a mere blog. Suffice it to say that this too is a book that captures quite a bit of the original Hyakumeizan spirit.

Back at the Japanese Alpine Club, I realise that I haven’t given the smiling lady anything like an adequate answer. So am I going to climb all those Hyakumeizan or am I not? Well, I’ll certainly go on attempting this one or that whenever there’s a chance. And if so, I’ll keep in mind that, as each summit watches over somebody’s home village, we Hyakumeizan seekers are only guests there. 

For the same reason, I think I’ll abstain from trying to charge the rocks with any kind of cosmic energy. The locals might raise their eyebrows, you know.

8 comments:

Edward J. Taylor said...

As a "classicist," I appreciate the Stanhope reference. I suppose I could start a new blog on that particular activity, Notes from the Snog...

Stephen50 said...

The notion that any list can make a project is behind the book title "Arbitrary Stupid Goal" (don't read it for mountaineering wisdom, though). A charming kind of project in the States is to visit the highest point in every state, no matter how flat the state, or even better, the highest in every county in a flat state.

Project Hyakumeizan said...

Stephen, thanks for reading and introducing the book (no, I hadn't heard about it). I very much like the concept of an "Arbitrary Stupid Goal" as applied to mountain-climbing: “A goal that isn’t too important makes you live in the moment, and still gives you a driving force” that allows you “to find ecstasy in the small things, the unexpected, and the everyday.” Yes, perfectly applicable to the Hyakumeizan too....

David Lowe said...

A thoughtful post, as always, PH. I appreciate the generous mention – it’s comforting to know I’m not the only one who hesitates when asked about “completing” the Hyakumeizan. What struck me most here is the reminder that mountains don’t exist in isolation but are deeply entwined with the people who live besides them. As you note, Bandai isn’t just a Hyakumeizan; it’s a home mountain for some.

Fukada’s idea that mountains “watch over” us – like silent witnesses to our growing up and growing old – is beautifully put. And perhaps that’s what keeps drawing us back: not the list, but the sense of place each peak offers.

Stephen50 said...

I found roughly 46 peaks above 2000 m. that are on Wikipedia's Japan list but not on the Fukada list. And these fall within Japan's top 109 purely on height. Perhaps these are multi-peak massifs. Is there some "prominence cutoff" that might objectify Fukada's esthetic? Not that it needs doing, just wondering about the effect - - - - . It's so crazy there's even a huge website that is a list of peak lists. https://www.peakbagger.com/listindx.aspx

Project Hyakumeizan said...

Thanks for your - as ever - thought-provoking comment and question, Stephen. Well, when it comes to his selection criteria, Fukada is fairly clear about them in his Afterword to One Hundred Mountains - see page 244 in the translated edition. There he says "Height is not enough": a mountain also has to have character, history and an "air of distinction" - which are all more or less subject to an aesthetic judgement. He does apply a minimum height of 1,500 metres - but then two of his mountains are allowed to fall below that height on account of their other qualifications. So I think that, for Fukada, the concept of "prominence" would be treated similarly to that of height - nice to have but not decisive. For example, Mt Fuji is exceedingly "prominent" in the technical sense - on one count it may be the 35th most prominent peak on the planet (see post on "The Hyakumeizan of relative height"). But Fukada also includes in his list mountains or ranges with exceedingly weak prominence - eg no 20 Azuma-yama where he observes "No one peak rises above the others to define this massif." Yet the mountain(s) is/are included for the other reasons mentioned above.... As Fukada says, the One Hundred Mountains "represents my personal choice, and I make no claims for it beyond that" .... : )

Stephen50 said...

I realize that I raised prominence to somehow reconcile Fukada with all the peak-bagging list mania that ensued in following years, for which of course he's not responsible, and to which I don't much subscribe, actually. :--) I would encourage anyone new to the book to read your introduction, then the Afterword, before tackling the chapters. The unique subjectivity is the charm. The Afterword really is an Introduction.

Project Hyakumeizan said...

Stephen: thanks for your kind words about the introduction. As for Fukada's Afterword, yes, it is the real introduction to his book - but it's worth noting that it is a post facto introduction. He wrote it only after publishing all the mountain chapters as magazine articles (which were later collected in the book published in 1964) - so he set down his principles for mountain selection only after he actually selected all the mountains. So perhaps we shouldn't expect them to apply too rigorously.... : )