The Japan Alps by Peter Skov: An outside person brings a fresh perspective to Japanese fine-art mountain photography
The strengths of Japanese mountain photography are also its weakness. So Olympian are the skills and vision of the undoubted masters – yes, I’m thinking of Shirahata Shiro here – that aspirants dare not plant their tripods anywhere but in the holes left by the maestro. Too often, the result is images that are technically perfect, but also generic and lifeless.
Peter Skov has avoided this trap. Carefully picking his own tripod sites, he’s put together a lively debut collection. Snow plumes from a ridge, a creeping pine tosses its branches to and fro in a stiff wind, ripples of cloud move swiftly across the sky: these are the living mountains, the way mountaineers experience them.
The late Galen Rowell, an inspiration for many a mountain photographer, famously went out in search of the dynamic landscape. Peter Skov has gone out into the Japan Alps and found it. His vision is versatile as well as dynamic, the vistas are interspersed with micro-landscapes – a fire lily sheltered by a pine bough, komakusa flowers peeking out from between sandy quartz blocks – that show a mastery of significant detail. On his blog, he reveals himself to be an admirer of Eliot Porter. These pictures are a worthy acknowledgement of that influence.
Peter Skov grew up in Vancouver, moving to Japan in 1999, one reason being to study the Japanese way of landscape photography. Judging by this book, he’s stirred these background elements into a very effective mix. The meticulous technique and the gear – film cameras, mostly large and medium-format – may be Japanese, but the viewpoint is his own. You don’t have to be a gaijin – an ‘outside person’ – to bring a fresh perspective to mountain photography, but sometimes it can help.
“The Japan Alps” is a self-published book, printed and distributed by blurb.com. No automated production process can do full justice to the original colour transparencies – Skov is an all-film photographer – and some images come off better than others. Snow scenes, being relatively monochromatic, do best, while autumn colours and high-contrast scenes have lost something in translation. Overall, though, the colour rendition is good enough to hint at the high quality of the original photography. And the splendours of the Japan Alps shine through.
What is it about the Japan Alps? Even their strongest supporters – and your reviewer is one – can’t promote them into the greater ranges of the earth. They simply aren’t high enough. When it comes to photographic impact, though, they give nothing away to the Alps, the Karakorum, or the Himalaya. For proof of that bold statement, look no further than the works of Shirahata Shiro, who has planted his mighty tripod in all three ranges. Yet it is the Japan Alps that provide the maestro with his most compelling images.
That’s by way of saying that Peter Skov is working a rich vein. And this debut collection shows that he’s developed the skills – and, most importantly, the vision – to work it. What this reviewer would like to see now is a big publishing house – yes, Kodansha, it’s you I’m thinking about – getting out of its comfortable leather armchair and publishing a collection of fresh new mountain photography by up-and-coming artists, Japanese and gaijin alike. One of them should certainly be Peter Skov.
>View and buy "The Japan Alps" on blurb.com
Above images are by courtesy of Peter Skov, linked from his Japan Alps gallery on Flickr. (Click on image to see larger version.)
4 comments:
Thank you very much for the glowing review of my work and nice selection of photographs. Well-chosen is the photo below the mention of Eliot Porter.
Well, Kodansha said nay with the reason that a book of Japanese mountain photos wouldn't sell well in the US, their primary market. But I was aiming more at the foreigners visiting or living in Japan who love Japanese mountain scenery, or Japanese nationals who love their country's high mountains and don't mind the book being in English.
Really fascinating photos!! I saw their larger images on Flickr. The colors are so lovely! Thanks for introducing the beautiful book to us, Hyakumeizan!
Sorry for the Kodansha's response. I think it is actually no easy matter for a first time author to have his/her book published by commercial publishers.
One of the good ways to promote self-published books is to ask several local newspapers or major newspaper local branches to report them....Their coverage might be the first step to know the right people although it's only my personal view...
Good Luck!!
these are the living mountains, the way mountaineers experience them.
Peter Skov deserves your glowing review. His photos are magnificent. I think Kodansha makes a mistake...so many gaijin travel thru Japan...I'm one of many who'd buy Skov's book at the airport on the way home, in English.
Sapphire, your suggestion to send my book to local newspapers is a good idea. I also have in mind to write a short piece in Japanese about the book and send it to some of the big magazines along with a copy of the book.
As for first time authors, yes, I know how it goes. I have been sending out my proposal with a three-page summary of my publication credits as a writer and photographer in magazines and calendars, as well as exhibitions and awards, plus my membership in two large photography associations here in Japan. I am hoping this with add some clout to my name.
Kittie, thank you so much for the vote of confidence and interest in my photography and book
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